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Chinese traditional clothing is famous for its luxurious styles. The top 9 most famous Chinese clothes include Cheongsam, Hanfu, Tang Suit, Zhongshan Suit, and Shenyi. It has been shaped by different dynastic traditions, and therefore, its characteristics in different dynasties can reflect the social background and culture at that time. Nowadays, although Chinese people don’t wear traditional clothes in their daily lives, some traditional attires are still worn during certain festivals and ceremonies. It is the most well-known Traditional style of Chinese clothing. Hanfu, also known as traditional Han Chinese clothing, is the traditional clothing style of the Han people. It is the most well-known Traditional style of Chinese clothing. Hanfu features a loose upper garment with a cross collar, wide sleeves, and ankle-length skirts or trousers. The buttonless upper garment overlaps the right border to the left and is tied with a belt sash. The belt sash was often decorated with jade. Because of its luxurious styles and beautiful colors, Hanfu has become one of the most favorable clothing to take photos for Chinese females. It has a history of more than 4,000 years. Hanfu is a typical representative of traditional Chinese clothing. Through several dynasties, Hanfu developed various styles and characteristics. Each dynasty has its distinctive dress codes, reflecting the culture of the times. There are two basic forms of Hanfu, that is, the jacket with skirt or trousers, and a one-piece dress. There are three representative styles of Hanfu, including paofu (one piece of long dress), ruqun (consists of a short jacket and a long shirt, which can be separated), and shenyi (consists of a short jacket and a long shirt that can not be separated). Chinese people don’t wear Hanfu in their daily lives, but Han fu is still popular on special occasions such as weddings and Chinese New Year celebrations. Qipao looks beautiful and elegant. It was extremely popular in China, especially in Shanghai, from the 1920s to 1940s. Cheongsam has evolved in design over the years. It is still favored by many Chinese ladies. The cheongsam, also known as Qipao, is a traditional Chinese dress originating from a kind of garment worn by Manchurian women about 300 years ago. The cheongsam is a tight-fitting dress. The length of the cheongsam can be long or short. Cheongsam features a standing collar, the two ends of the collar fasten at the center of the front of the neck with pankous (traditional Chinese knotted buttons), and a pair of high-side slits above the knee. Cheongsam is now the most famous traditional Chinese clothes around the world. The sleeves can be of different shapes and lengths. Although Chinese people don’t wear cheongsam daily, this garment is still a popular outfit choice for festive occasions such as wedding ceremonies and Chinese New Year. Tang suit, also known as the Chinese suit, or Tangzhuang, is a traditional Chinese jacket with Manchu origins and Han elements combined with a Western-style suit-cutting method. Originating from Magua, a Manchu men’s jacket in the Qing Dynasty, the Tang suit features a duijin, a Chinese-style front opening jacket with buttons down the front. It has a stand-up collar and knobs made of intricately knotted strings. The Tang suit is popular in the world. Today, Chinese men still wear Tang suits as one of the formal attire on various occasions. It also has had a great influence on the clothing styles of some Asian countries. It features a turn-down collar, four pockets with flaps, five big buttons in the front, and three small cuff buttons on either sleeve. Zhongshan suit, also called the Yat-sen suit or Mao suit, is a male attire style that combines the Western-style suit and traditional Chinese clothing style. Shenyi is a representative style of the traditional Hanfu. Sun Yat-sen introduced the Zhongshan suit as a national garment shortly after the founding of the Republic of China and it became extremely popular among the Chinese people since then. The character “shen” means “deep” in Chinese, and “yi” means “clothes”. Combined, the word “shenyi” means “deep clothes” literally, or to wrap the body deep in the cloth. The design of the Shenyi with loose sleeves and a long skirt is enough to cover the wearer’s skin fully. Shenyi is traditional Chinese clothing dating back as far as 2000 years ago. It is a kind of gown in that the upper half is connected to the bottom half. It became mainstream and popular clothing in the Qin and Han dynasties (221 BC to 220 AD). Runqun is a set of attire in Hanfu. It features a short jacket typically called “ru” and a long skirt called “qun”. It appeared in the Warring States period (403 BC – 221 BC) and became popular during the Wei, Jin, Southern, and Northern Dynasties (220 – 589). In the Han Dynasty (202 BC – 220 AD), due to the widespread popularity of Shenyi, Ruqun was going out of fashion. Magua is a kind of Chinese traditional jacket that was popular in the Qing Dynasty (1636 – 1912). It is a short-sleeved, loose outer garment designed to be worn over a Changshan, or a gown. Ruqun is one of the earliest and most basic clothing in the history of traditional Chinese clothing. Magua is at waist length, and the sleeves can only cover the elbow. Such short sleeves are for the convenience of riding horses and shooting. Later, Magua was worn by aristocrats and wealthy people and gradually became popular because of its elegant and generous style. During the Republic of China, Magua was listed as one of the ceremonial attire. After the founding of the Republic of China, Magua was gradually out of fashion. In the early Qing Dynasty, Magua was only worn by soldiers. It returned to people’s vision after improvement with the name of “Tang Suit”. Changsha, also called Changpao, is a kind of Chinese robe worn by males that was popular in China from the 1920s to 1940s. Changsha was adapted from the Taoist robes that scholar-officials used to wear in the Ming Dynasty by adopting some Manchu men’s clothing elements. Changshan was considered formal attire before Western-style suits were popular in China. The Miao ethnic clothing maintains the traditional craftsmanship of weaving, embroidery, picking, and dyeing. The garments are richly colorful and display a distinct ethnic artistic characteristic.

Qun (Chinese: 裙; pinyin: qún; Jyutping: kwan4; lit. Chinese skirts used in Hanfu, especially those worn as part of ruqun, and in Chinese opera costume. Both the qun and the chang, were both typically in the form of a wrap-around skirt like an apron. 144 The qun continued to exist even in the Republic of China. The qun and its predecessor, the chang, along with the upper garment called yi and the trousers called ku, are all indigenous clothing of the Zhongyuan, which conformed to the fashion style of the Chinese civilization in ancient times. In a broad sense, the Chinese character qun《裙》is a synonym for the word qunzi (裙子; qúnzi); both of these are generic words for skirts in China. Several forms of ancient style qun regained popularity in the 21st century following the Hanfu Movement; this also inspired the development of new styles of qun with modern aesthetics and shapes. In ancient China, the Chinese character chang《裳》can refer to “lower garments,” which included both the trousers called ku and the qun skirt also called chang which also use the same character《裳》. The term qun with the Chinese character《帬》also referred to skirt . According to the Fangyan, the qun《帬》was called pei《帔》in the area of Wei and Chen; it was also called bai《襬》by some people from the east of the Pass. The Shuowen jiezi also explains that the term qun which uses the character《帬》is the same as the term xiachang which uses the characters《下常 》. It also explains that the chang, which uses the Chinese character《常》, is a skirt by using the term xiaqun with the characters《下帬 》. The danqun is a generic term which refers to unlined skirts. There are also specific terms which are related to the qun, such as chenqun (Chinese: 衬裙; lit. 36 The chenqun is a generic term which typically refer to a form of inner skirt. This section needs expansion. In the ancient times, the qun was referred as chang and existed even prior to the creation of the trousers called ku. The chang appeared on unearthed artifacts dating as early as the Shang dynasty; the chang eventually evolved into what became known as the qun. You can help by adding to it. Several wrap-over qun were found in the Han dynasty tombs. 144 The zhejianqun (Chinese: 褶裥裙; pinyin: zhějiǎnqúnqún; lit. According to the story, however, the wearing of short skirts with pleats first appeared in the Western Han dynasty when Feng Wufang saved Zhao Feiyan from falling; but while saving her, her skirt had been ripped. In the Warring States period, men could also wear short skirts similar to a kilt. 165 This led to the creation of a long excessively pleated-style zhejianqun, called liuxianqun, which was inspired by the ripped skirt of Zhao Feiyan and became popular. The tomb of Huang Sheng contains various forms of qun, such as the liangpianqun and the baizhequn. After the Sui and Tang dynasty, the pleats which were used in the zhejianqun increased in numbers, from a few dozens to over one hundred forming the baizhequn. The baizhequn continued to be worn in the Yuan dynasty. In this period, the qun worn by the Han Chinese were often mamianqun which featured pleats and embroideries at the panels and decorative borders. 144 The late Qing dynasty qun were also heavier compared to those worn in the earlier times as they were weighted by the embroideries and pleats. The qun continued to be worn in the Qing dynasty. Women continued to wear the qun; however, the qun had evolved in style and had become shorter. The qun can also have specific names based on the styles, design and constructions, the number of pleats and colours. During the early period of the Republic of China, people in Beijing continued to wear the clothing worn in the Qing dynasty. In Hanfu, the qun can be used in set of attire, such as the ruqun, qungua, xiuhefu. 144 for example, in the qixiong ruqun. In other dynasties, the qun could be tied at the waist level. Poqun (Chinese: 破裙; lit. In the Qin and Han dynasties, the danqun were made out of four panel of fabrics which were sewn together. 36 It was most often found with a belt attached to it; however some women preferred to use a separate belt. 36 The upper parts were narrower than the lower parts; and there were also two pieces in the middle were also narrower than those which were found at the sides of the danqun. The four-panel poqun, as the one found in the Mawangdui tomb No.1 dating from the Western Han dynasty, was used as a form of chenqun (衬裙) and was usually worn over the zhijupao or under the qujupao. This form of poqun also had a waist belt which was sewed at the upper part of the skirt and both ends of the waist belt would extend to form the ties. Jiansequn (Chinese: 間色裙; lit. This form of skirt was high-waist during the Sui and the Tang dynasties and were characteristics clothing for women during this time period. The evolution process of the Jiansequn reflects the multiculturalism context, the cultural exchange, and the cultural integration which occurred between the Han Chinese, the northern ethnic minority culture, hanfu song dynasty and the culture of the Western regions which occurred from the late Northern Wei dynasty to the Sui and Tang dynasties. The design of the skirt thus reflects the gradual integration of Hanfu and Hufu. 289 Its structure can be traced back to the late Northern Wei dynasty and continued to be used until the Five dynasties and Ten kingdoms period. A floor-length jiansequn tied above the bust-level, Tang dynasty. Pleated skirts are called zhejianqun (Chinese: 褶裥裙; pinyin: zhějiǎnqúnqún; lit. Each pleats were fixed to the waistband of the skirt and each pleats had the same width. The mamianqun was a wrap-around skirt composed of two overlapping panels of fabric which was tied at the waist level. It was characterized with a flat front and pleats on the two sides. Baizhequn is a form of wrap-around skirt which was tied at the waist level; it consisted of over 100 pleats in numbers. A derivative of the mamianqun is the skirt used in the Xiuhefu, which is also called mamianqun. Mamianqun used in the Xiuhefu, a derivative of the Qing dynasty mamianqun. 144 The early prototypes of the mamianqun was the baidiequn and the liangpianqun. The mangchu could typically vary in colour; however, red and green were the most common colours used. The mangchu was typically paired with the mangao jacket. During the Qing dynasty, the mangchu was worn by Han Chinese women; it was typically worn by the wives of Chinese noblemen or wives of high-ranking Qing officials as part of their quasi-official formal clothing attire on ceremonial occasions when their husband would be wearing the Qing dynasty court robe attire. Wives of the Qing dynasty officials also wore the mangchu as part of their wedding attire and as their burial attire. The mangchu skirt, sometimes literally translated as “Dragon skirt” in English, was a skirt decorated with Chinese dragons and/or Chinese phoenixes or with mang (lit. The shiliqun (Chinese: 石榴裙; lit. 34 is worn with an ao by a huadan. Tongqun (lit. ‘tube skirt’): a skirt which has the shape of a tube; it is often worn as outer skirt being worn over an inner skirt, which could be pleated skirt. The qun was also used as a costume item in xifu. Cooper Hewitt, Smithsonian Design Museum. 绢裙. Hunan Museum (in Chinese). Research Journal of Textile and Apparel. 15 (1): 11-21. doi:10.1108/RJTA-15-01-2011-B002. Dusenberry, Mary M. (2004). Flowers, dragons and pine trees : Asian textiles in the Spencer Museum of Art. Xu, Rui; Sparks, Diane (2011-01-01). “Symbolism and Evolution of Ku-form in Chinese Costume”. New York: Hudson Hills Press. Carol Bier, Helen Foresman Spencer Museum of Art (1st ed.). Cheung, Kam-Siu (2016-04-14). “30. Lexicography”. The Routledge Encyclopedia of the Chinese Language. In Chan, Sin-Wai (ed.). Canhui Zhang, Chan-Fai Cheung, David Carr. Carr, David; Cheung, Chan-Fai (18 October 2004). Space, Time, and Culture. Zang, Yingchun; 臧迎春. Michael, Thomas (2021). Philosophical Enactment and Bodily Cultivation in Early Daoism In the Matrix of the Daodejing. 李竹润., 王德华., 顾映晨. Xu, Zhuoyun (2012). China : a new cultural history. Timothy Danforth Baker, Michael S. Duke. Milburn, Olivia (2021). The Empress in the Pepper Chamber Zhao Feiyan in History and Fiction. New York: Columbia University Press. Yao, Ping (2022). Women, gender and sexuality in China : a brief history (First ed.). Seattle: University of Washington Press. Xun Zhou, Chunming Gao, 周汛, Shanghai Shi xi qu xue xiao. Zhongguo fu zhuang shi yan jiu zu. San Francisco, CA: China Books & Periodicals. 5000 years of Chinese costumes. China : dawn of a golden age, 200-750 AD. New York: Metropolitan Museum of Art. Shi, Meihua (2018). “窄袖高腰间色裙源流考–《陕西师范大学》2018年硕士论文”. James C. Y. Watt, Prudence Oliver Harper, Metropolitan Museum of Art. Hunan Museum (in Chinese). 陕西师范大学. Garrett, Valery (2012). Chinese Dress : From the Qing Dynasty to the Present. New York: Tuttle Pub. Ye, Tan (2020). Historical dictionary of Chinese theater (Second ed.). This page was last edited on 14 January 2025, at 17:54 (UTC). Lanham: Rowman & Littlefield Publishers. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

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The revival of high Chinese craft stirred up by Hanfu is something Adrian Cheng, chief executive officer of the Hong Kong-listed New World Development, told WWD he was pleased to see. 5000 years of Chinese costumes. “The costumes of the Ming and Song dynasties are relatively well-documented and supported by cultural artifacts, summer hanfu and the styles are more applicable to today’s daily life and activities,” she said. From early TV adaptations of Chinese classics like “Dream of the Red Chamber” and “Romance of the Three Kingdoms” to contemporary retellings such as “The Empress of China,” and adaptations of popular online historical fictions like “Langya Bang,” a new generation of young Chinese have grown up seeing traditional Hanfu on their screens daily. Meanwhile, styles from the Song dynasty, which can be easily mixed and matched with contemporary clothing, have been gaining momentum because there have been more period dramas set in this period recently. The male Hanfu has journeyed through centuries of change, from the dynasties of ancient China to its modern-day revival. 22 He also concluded that the apparel system of the three ancient Chinese dynasties, referred collectively as the Sandai (三代), could still be found among the attire-style of the Taoist priests. In recent years, male Hanfu has seen a revival, with designers incorporating contemporary elements to make the garments more accessible and fashionable. Li is a proponent of making Han fashion more practical for modern use. “I want the public to understand that Hanfu can be fully integrated into our modern lifestyle. “Heritage is a very big movement now in China; they want to know what’s behind this artisanship,” he said. Its unique blend of traditional Chinese aesthetics and modern sensibilities has made it a favorite among designers and fashion enthusiasts worldwide. At the same time, modern cheongsam philosophies like Confucianism and Taoism are now commonplace in modern China’s education system. Bold patterns and colors, once reserved for more formal or festive occasions, are now becoming common in everyday wear. While China’s first lady Peng Li Yuan can often be seen in the qipao (also known as the cheongsam), Hanfu is not seen as appropriate wear for leaders and dignitaries – at least not yet. Its timeless beauty, combined with the ongoing innovations, ensures that male Hanfu continues to play a meaningful role in China’s cultural narrative, celebrating tradition while embracing the future. According to interest group Hanfu Information’s annual report last year, an estimated 3.61 million people – a 77 percent jump from 2018 – identify themselves as Hanfu enthusiasts, of which 86 percent are female and 15 percent are male. The resurgence of male Hanfu reflects a growing interest in cultural heritage among younger generations in China. There are mainly three types of people who wear Hanfu. This fusion has given rise to a renewed interest in Hanfu clothing, making it a prominent feature in cultural events, weddings, pink and blue hanfu and even everyday wear. They wear Hanfu to showcase their love of history, as well as broadcast their personal style. According to the interest group Hanfu Map, there are 41 registered Hanfu organizations outside China, each counting at least a few hundred members. There were a total of 1,188 orthodox Hanfu retailers on Taobao in 2019, a 45.8 percent increase from a year prior. For the moment, there isn’t one universal Hanfu style that everyone can agree on, and there may never be one. The third type, which has rapidly emerged within the last few years, are people who are steeped in gaming and anime culture. Before World War II, it was customary for girl students who attended schools run by Western missionaries societies to wear cheongsam as their school uniforms; on the other hand, there were very few indigenous Chinese schools that were using the cheongsam as a school uniform. However, ming dynasty hanfu male the hanfu looks good even without the belt. However, in the Song Dynasty, people turned to advocate frugality and elegance. However, the clothing-style of the Han Chinese women living the Jin dynasty was outdated compared to the Han Chinese women in the Southern Song territories. Compared to their parents who lived through the Cultural Revolution and were asked to renounce these ideas, a younger generation has been encouraged to connect with traditional culture. The second are those who wear Hanfu in their spare time and participate in Hanfu gatherings to meet new friends with similar interests and acquire new skills, such as painting and calligraphy. It was the ethnic Manchurian rulers in the Qing dynasty who decreed the population from the mid-17th century should follow their court dress, as opposed to the Hanfu (literally meaning the clothing for Han people) that had been worn for many millennia. Only 1.1 percent said they only wear Hanfu at home. In particular, Cao County in the eastern Shandong province has not only garnered widespread attention for its burgeoning traditional attire industry; it is also home to several affiliated industries such as accessories, photography, design, as well as hair and make-up.

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Want to know about the Chinese traditional dress? Find out about the ancient style that evolved in China over the years. When it comes to traditional Chinese dresses we find them to be varying according to the social classes that exist within China. The masses would make use of different symbols in order to denote the social class to which they belonged. It is true that the society of China was fragmented into distinct classes and each class had its own specific styles suited to their convenience and significance. The Chinese traditional dress went through a series of modifications and continued to evolve with each passing dynasty. The most prominent Chinese traditional dress is the hanfu which belongs to the Manchu Dynasty that reigned in China from 1644 to 1912. The hanfu had many variations that were tailored to different purposes. The academic dress and the military dress for example were drastically different to the standard hanfu dress. The military dress would make use of various motifs that would not only act as a design but would also denote the rank of the particular individual in the military. Another feature that was used to decorate their dresses and denote their ranks were hat knobs. The Mandarin square also known as the rank badge was a part of the military version of the hanfu. The common folk of the Han Dynasty popularized the Hanfu dress. Traditionally there existed a color spectrum of nine different colors to denote the various ranks of the military. The highly characteristic outfit managed to win the appreciation of the local as well as foreign audience. The Hanfu dress was started off in the courts during the Han dynasty and fascinated observers. This traditional outfit has a history of more the three thousand years in China. The legendary Yellow emperor of China is also known to have worn the Hanfu. This is why it is also referred to as the “silk robes”. The traditional Hanfu dress was made using one hundred percent silk. Today the Hanfu is reserved for special occasions such as historical reenactments, cultural festivals, religious processions and coming of age ceremonies. Efforts are on going in an attempt to popularize the Hanfu as a daily wear outfit in China. In recent years the use of the Hanfu has become more widespread especially during traditional events. The Hanfu is however drastically different from the Manchurian qipao which was another dress worn in China inspired by the Manchurian influence. The traditional Chinese dress is made using various parts of a specific cloth that is draped according to a special style. There is a considerable amount of debate on whether the Hanfu or the Manchurian qipao can be rightly termed as the traditional dress of China. The qipao was however enforced upon the Chinese masses by strict law by the Manchurian rulers and not a dress that evolved in China as tradition.

Feature These pearl hairpins are a nice help for your makeup, and also good for DIY your own hanfu hairstyle, can make you more stylish and chic, it is also easy to remove them without pain or struggle. Handmade product, due to light and manual measurement, please allow some differences. 1. Store your accessory, jewelry in a clean, dry space. And it is suitable for many occasions, such as hanfu parties, proms, weddings, everyday life, photography and so on, chinese traditional clothing cheongsam can make you look elegant and charming. 3. Use mild cleaners for regular cleanings. 2. Avoid damaging chemicals. 1. If you are a Newhanfu Member, you will get an extra 10-20% member discount. Following the daily accessory cleaning regimen and jewelry care best practices can preserve the life of your hanfu accessory & jewelry and keep it looking great for many years. 2. Return & Refund Policy is not available for any orders with point-discount items, if there is a quality issue with the items, we will re-ship a new one for you or return the used points. Please check our Point Policy or contact our support team if you have any questions, thanks. Classic pearl element vintage style hairpin for making your hanfu hairstyle. So cute! Definitely worth it, can’t believe this hair clip is so cheap and high quality! I’ve already placed another order for more.

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Items & Feature Classic crane pattern embroidery hanfu underwear camisole, if you have modern hanfu or Song Dynasty clothing, then this is a cute and useful halter to match your outfit. Recommend Hand-wash with your favorite mild detergent; Cold or warm water, maximum temperature 40°C. When washed, shake off any excess water and let them air dry. 2.54 cm; Please make sure the product’s measurements will fit your daily wear size, or view the complete Size Guide Chart to get more help. Guarantee: If the item has any small and big quality issues, we will offer free return or refund for you. Learn more about the Return & Refund Policy. Traditional embroidery hanfu halter camisole, a classic underwear & accessory for ruqun and modern hanfu, can also be used as an alternative to other style’s inner shirt. Shipping: Once the package is in transit, you will receive an email notification of the shipping status and location, also you can directly Track Shipping online. Having now worn it out, I would to draw attention to the fact that the O-ring and sliders on the straps (for adjustment) are made out of plastic, which broke when I was lying on the camisole a bit and then got up. I’ve since replaced the plastic with metal O-rings and sliders, so it shouldn’t be a problem for me anymore, but jsyk. So the plastic lasted me less than a day’s wear; if you’re also prone to laying or sitting on your clothes a bit – be warned the plastic can’t handle the tension (the sewing held up fine). Absolutely gorgeous embroidery, and the material is very soft, too. Not quite chiffon but very close, just a bit heavier in weight, I’d say – still lightweight. The outer fabric is a bit transparent, but that (cotton) lining makes it so that the front half doesn’t appear to be so. Can’t wait to wear it out! The embroidery is sooo beautiful and the fabric feels very comfortable. I can’t wait to wear this often during the upcoming summer! Beautiful but I would recommend sizing up, especially if your chest is on the larger size. I figured with the sizing listed that a M might be ok, and while it does fit, it’s very tight on my chest (I’m a 34C in US size). The embroidery is still really nice and it was not expensive, so maybe I’ll get an XL next time I order other things from here. To get a really natural, flowy fit, chinese hanfu I think I should have even gone for an XL. U goin to love the way it looks! Perfect! Kind of short but I love it! Fit perfect, you must own one hanfu style halter! Definitely recommend this one! LOL, I will wear this to any occasions, and it was sooo comfortable and easy to wear. It’s comfortable and cute either way. This halter can be worn whether or not someone is wearing hanfu dress. I would highly, red hanfu highly recommend. It’s an amazing underwear. I absolutely LOVE this. Love It! I plan to order the next style hanfu halter. Yay! I ordered two ruqun dress and this tank. I also buy a modern hanfu, both are perfect. Love all of them and the price was perfect!

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All shipping cost(s) and handling fees are non-refundable. We are happy to exchange for you. We are sorry to hear the product(s) didn’t fit. Please ship it back to our return address in the US for a refund, and place a new order as an exchange. Please send the item back with the original purchase receipt for exchange, and make sure that the tag is attached with the receipt. Please contact us for the return address. Once the product is received, the cost of the product will be refunded to the original form of payment within 3 to 5 business days. All shipping cost(s) and handling fees are non-refundable. A missing receipt might delay the process of refund, exchange without tags will not be accepted. Sale items cannot be refunded. DRESSIFY reserve the right to limit or deny returns or exchanges. Hanfu is a handmade product, not a mass-produced product in a garment factory. In theory, there are no two completely identical Hanfu. It is impossible for tailors to make it 100% the same. The product details page only shows the shape of this Hanfu, especially the embroidery on the Hanfu. If order is canceled due to unavailability, you will be 100% refunded. If customers requested a cancellation after the order was placed, 5% credit cancellation fee will be charged.

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Hanfu (meaning clothing of the Han people) is a name for pre-17th century traditional clothing of the Han Chinese, which are the predominant ethnic group of China. Hanfu appeared in China more than three thousand years ago and is said that it was clothing of the legendary Yellow Emperor, a great sage king of ancient China. The basic of Hanfu was developed in time of Shang Dynasty, from 1600BC to 1000BC. Hanfu consisted of a yi, a narrow-cuffed, knee-length tunic tied with a sash, and a narrow, ankle-length skirt, called chang, worn with a bixi, a length of fabric that reached the knees. They were made of silk and painted in red and green. From the first appearing Han-Chinese clothing had changed and evolved with the fashion. With the beginning of Western Zhou Dynasty hanfu begins to be method of distinction between classes. Height of one’s rank influenced the level of decoration of a dress, length of a skirt and the wideness of a sleeve. The collar were crossed and tied to the right while skirts and trousers varied in length from knee-length to ground-length. Sleeves were also made wider than in the time of the Shang Dynasty and yi tunic is also closed with jade decorations or with a sash tied around the waist. Eastern Zhou Dynasty invented shenyi – “the deep robe”, hanfu modern which is a combination of tunic and skirt. It was cut separately but sewn as a piece of clothing with left side of the costume shaped into a corner which was used for closing the shenyi by fastening on the chest. Shenyi could be worn by anybody regardless of gender, profession or social class. A complete Hanfu garment developed in time with addition of other parts of clothing. Technology was advanced enough at the time that many complicated and magnificent patterns appeared on Hanfu. It is also considered traditional to decorate hanfu with tassels and jade pendants or various ornaments hung from the belt or sash, which are known as pei. Now, it is considered that it consists of several pieces of clothing: Yi – which is any open cross-collar garment and is worn by both men and women; Pao – any closed full-body garment, it is worn only by men; Ru- open shirt with cross-collar; Shan – open cross-collar shirt or jacket which is worn over the yi; Qun or chang -a type of skirt which is worn by both women and men and Ku – a type of trousers or pants. Hats for men and hairpieces for women could also be traditionally worn in combination with Hanfu. This headwear also marked profession or social rank. Hanfu disappeared at the beginning of the Qing Dynasty (1644-1911) which was founded, not by Han Chinese who form the majority of the population of China, but by the Manchus, a semi-nomadic people which first rose to prominence in Manchuria. Qing Dynasty fell in 1911 and Manchu dress disappeared quickly in favor of western-style dress. Most of the Han Chinese wear western-style clothing today and hanfu is worn rarely. The hanfu is now worn during some festivals, ritualistic ceremonies (such are coming of age or rite of passage), by historical re-enactors and by monks and priests.

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While this adaptation has introduced Hanfu to a wider audience, it has also sparked debates among scholars and enthusiasts about the fidelity of these representations. Long sleeves generally reach to the wrist and are suitable for wearing in cold weather, while short sleeves are suitable for wearing in warm seasons. Minimalist Hanfu: Characterized by clean lines, simple patterns, and monochromatic color schemes, this variety appeals to modern aesthetics while retaining the elegance of traditional Hanfu. Palace service system for a long time to extend the Song, until 1321 Yuan Yingzong period only with reference to the ancient system, the development of the Son of Heaven and the hundred officials of the upper garment with the lower garment, on the tight under the short, and in the waist plus crease accumulation, the back of the shoulder to hang a large bead of the “quality of the zhisun” system, the Han people say “one color clothes” or “quality of the zhisun”. Compared to other sleeve types, wide sleeve sleeves are wider and present a very ornate effect, often used in court dances and formal occasions. During the Han Dynasty, straight sleeves were one of the formal clothes worn by officials, literati, and other upper-class men, usually worn in combination with long shirts, mandarin coats, and other lower clothing. The following are some common Hanfu sleeve types. Once you are wearing clothes that are too tight, they won’t look good on you. According to Li, focusing on functionality and reviving Chinese traditional aesthetic values were key to reviving traditional clothes. Royal Quiggles seem to hail from Meridell, with the Royalboy sporting Meridell’s colours on his clothes. In ancient times, sleeveless Han suits were mostly used in men’s daily wear and work clothes because they were convenient for movement and breathability. In modern times, straight sleeves are also widely used in the design of Hanfu, becoming an important component of Hanfu culture. Although there are many hanfu clothing types, styles, and designs, men’s traditional chinese clothing not all hanfu types will work for you. There are generally two types of straight sleeves: long sleeves and short sleeves. Pipa sleeves are often used in ancient costume dramas, with a romantic and aesthetic feeling. The design of straight sleeves has been introduced with more fashion elements in modern times, such as fabrics of different materials, matching of various colors, and decoration, mamian skirt making a contribution to the diversification and fashion of modern Han clothing. Its concise and lively lines and beautiful arm display effects are deeply loved by modern Han clothing enthusiasts. For example, if you are looking for a pair of pants to wear to work, then you should choose a simple design hanfu songku. The sleeve types of Hanfu clothing are very diverse, with different sleeve designs for different periods, social status, and occasions. In later historical periods, the arrow sleeve has also been rediscovered and has become a classic sleeve type in modern Han clothing culture. Each piece tells a story, a tale of a time when emperors and empresses ruled, and clothing was more than just fabric – it was a status symbol. Traditional Chinese wedding dress is a collective term which refers to all the different forms and styles of traditional wedding attire worn by the Han Chinese when performing their marriage ceremony, including the traditional Chinese marriage. In the Qin and the Han dynasties, the Chinese hanfu dress would again undergo a unique shift in its appearance. Originating from ancient times, Yuanling Pao became a prevalent official attire during the Sui and Tang Dynasties, influencing neighboring countries like Japan and Korea. Pipa sleeve is a type of sleeve for Han Dynasty clothing, with a wide cuff like a lute, with a central tuck in place that takes on a shape similar to that of a lute. Chinese Hanfu has so many sub-types and it continues to evolve as time goes by. The sleeve covers around the shoulder area and there is no opening in the front or back. The term kuapao was sometimes used to refer to double over-turned fanlingpao with tight sleeves, which overlaps at the front and closes on the right side of the body near the armpit in the Tang dynasty. But for women and it can be difficult to find the right one fit chest very well.